{"id":698,"date":"2020-06-13T09:24:49","date_gmt":"2020-06-13T06:24:49","guid":{"rendered":"https:\/\/spirospapaspirou.gr\/?p=698"},"modified":"2020-06-13T09:25:56","modified_gmt":"2020-06-13T06:25:56","slug":"perqasje-interpretative-2019","status":"publish","type":"post","link":"https:\/\/spirospapaspirou.gr\/sq\/perqasje-interpretative-2019\/","title":{"rendered":"P\u00ebrqasje interpretative, 2019"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text]<\/p>\n

Tekst i profesorit Nikos Psimenos n\u00eb gazet\u00ebn \u201cIpirotikos Agonas\u201d m\u00eb 13.3.1992 me rastin e \u00e7eljes s\u00eb ekspozit\u00ebs n\u00eb Galerin\u00eb e Artit \u201cPatsi\u201d (Katsimitrou 4) 4-14 mars n\u00eb Janin\u00eb.<\/p>\n

 <\/p>\n

Pyetje p\u00ebr artin dhe p\u00ebrgjigja nga Spiros Papaspirou<\/strong><\/p>\n

\u00a0<\/strong>Publikut dhe gjith\u00eb neve q\u00eb pyesim se \u00e7far\u00eb tek e fundit \u00ebsht\u00eb arti piktori Janiniot Spiros I. Papaspirou jep versionin e tij. Dhe p\u00ebrgjigja e tij, sado q\u00eb mund t\u00eb befasoj\u00eb at\u00eb q\u00eb ende nuk ka zbuluar ende ngopjen e tij estetike n\u00eb pamjen e prezantimeve t\u00eb shumanshme t\u00eb bukuris\u00eb s\u00eb trupit njer\u00ebzor apo t\u00eb natyr\u00ebs q\u00eb na rrethon, \u00ebsht\u00eb moderne dhe mbi t\u00eb gjitha e ligjshme: Art \u00ebsht\u00eb rimbulimi dhe prezantimi ikonik i thjesht\u00ebsis\u00eb s\u00eb kontur\u00ebve, q\u00eb nxjerrin n\u00eb pah ekuilibrin asimetrik, q\u00eb \u00ebsht\u00eb natyrsh\u00ebm ekzistent, t\u00eb trupave \u2013 t\u00eb nj\u00eb thjesht\u00ebsie q\u00eb prek n\u00eb t\u00ebr\u00ebsi thelbin e elementeve, q\u00eb ne na p\u00eblqen zakonisht ta fshehim pas mureve t\u00eb nj\u00eb morie holl\u00ebsirash t\u00eb personalizuara.<\/p>\n

Dhe t\u00eb mos e marrim si t\u00eb mir\u00ebqen\u00eb se ky p\u00ebrcaktim me doemos do na udh\u00ebheq\u00eb n\u00eb paraqitjen e veprave anikonike dhe vet\u00ebm: Shumica e veprave q\u00eb ekspozon zoti Papaspirou n\u00eb galerin\u00eb e njohur \u201cPatsi\u201d, paraqesin pamje t\u00eb njohura t\u00eb ambientit njer\u00ebzor dhe natyror, disa tro\u00e7 me realitet dhe disa t\u00eb tjera t\u00eb kamufluara nd\u00ebn shum\u00eb kuptime.<\/p>\n

Tek t\u00eb parat rreshtojm\u00eb, p\u00ebr shembull: pamja e sht\u00ebpis\u00eb nat\u00ebn me der\u00ebn t\u00eb hapur dhe dritaren e ndri\u00e7uar, vep\u00ebr e vitit 1979, dhe syprina e tavolin\u00ebs s\u00eb punishtes me kup\u00ebn e vog\u00ebl n\u00eb an\u00ebn e majt\u00eb, vep\u00ebr e periudh\u00ebs s\u00eb fundit, tek t\u00eb dytat: q\u00eb n\u00ebnkuptohen, takojm\u00eb gjith\u00eb ato v\u00ebzhgime t\u00eb vazhdueshme dhe komplekse q\u00eb ndahen n\u00eb m\u00ebnyr\u00eb t\u00eb tej pashme n\u00eb trupa t\u00eb ngjyrosura, t\u00eb cilat spektatori vizitor ftohet deri n\u00eb nj\u00eb far\u00eb mase t\u2019 i em\u00ebrtoj\u00eb n\u00eb baz\u00eb t\u00eb p\u00ebrmbajtjes q\u00eb ai vet\u00eb zbulon n\u00eb to.<\/p>\n

K\u00ebshtu q\u00eb, n\u00eb veprat, t\u00eb cilat thjesht len\u00eb t\u00eb n\u00ebnkuptohet p\u00ebrmbajtja e tyre, duket q\u00eb n\u00eb analiz\u00eb t\u00eb fundit jan\u00eb ura q\u00eb lidh me m\u00eb sukses se veprat konkrete psikik\u00ebn e autorit me at\u00eb t\u00eb spektatorit vizitor t\u00eb ekspozit\u00ebs s\u00eb tij. Mbi k\u00ebt\u00eb t\u00eb v\u00ebrtet\u00eb gjen pa kurrfar\u00eb dyshimi t\u00eb drejt\u00ebn e saj edhe p\u00ebrgjigja e Papaspiros n\u00eb pyetjen ton\u00eb se \u00e7far\u00eb \u00ebsht\u00eb arti, por edhe k\u00ebmb\u00ebngulja e tij shum\u00ebvje\u00e7are, p\u00ebr ta sjell\u00eb tek ne k\u00ebt\u00eb p\u00ebrgjigje t\u00eb thjesht\u00ebzuar, bind\u00ebse, duke krijuar vepra, piktura por edhe skulptura q\u00eb pa dyshim zgjerojn\u00eb horizontet e dyzimeve tona estetike.[\/vc_column_text][vc_gallery el_id=”gallery-139056-2019″ medias=”392,394″ gutter_size=”3″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text] Tekst i profesorit Nikos Psimenos n\u00eb gazet\u00ebn \u201cIpirotikos Agonas\u201d m\u00eb 13.3.1992 me rastin e \u00e7eljes s\u00eb ekspozit\u00ebs n\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-698","post","type-post","status-publish","format-standard","hentry","category-uncategorized-sq"],"yoast_head":"\nP\u00ebrqasje interpretative, 2019 - spirospapaspirou.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/spirospapaspirou.gr\/sq\/perqasje-interpretative-2019\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"P\u00ebrqasje interpretative, 2019 - 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